The calendar says Tuesday but the Whisky A Go-Go was rocking like a Saturday night! Another incredible night of amazing talent and entertainment started with a mind-blowing performance by Heavy Mellow, an acoustic trio with the unusual ability to blend the strains of heavy metal music with the classic and traditional play of Flamenco guitars.
Opening the jam session for the evening was the house band with additional help from the Jason Aldean band – Rich Redmond. On guitar, from the Ultimate Jam Night house band, the Edgar Winter Band and MSG – Mitch Perry. Helping on guitar, he’s played with Johnny Depp and the Kids and from the band Little Caeser – Joey Malone. On keys, from Survivor and Denny Laine – Walter Ino. On bass , the creator of Ultimate Jam Night and The Captain, the Ultimate Jam Night house band, Quiet Riot, Alice Cooper, Montrose, and many more…Chuck Wright. And singing the first two songs, Lights Out in London and Say What you Will, from Mr. Big and Ace Frehley and the house band – Matt Starr.
Shortly after, MC Extraordinaire, Paulie Z was joined by Xavier Muriel (drums) and Stevie D (guitar) from Buckcherry, Johnny Martin (bass) from Tracii Gun, and Alex Kane (guitar) from Little Caesar, LSD, AntiProduct, and The Ramones. They blew us away with a heart-pounding, high energy rendition of Bulls on Parade and Bombtrack.
The night just kept rocking and rolling forward with more incredible artists and musicians, including Joe Retta (Dio’s Disciples, Heaven & Earth, Trans Siberian Orchestra, and The Sweet ), Sean McNab (Resurrection Kings and Lynch Mob), Mike Watt (Minute Men, Firehose, The Stooges), Shane Soloski (Five for Fighting and Brian Wilson) and Koko Powell (Edgar Winter Band).
Once again, the Whisky A Go-Go, together with the Ultimate Jam Night, created an unforgettable evening of rock and roll, punk and heavy metal-Flamenco for music lovers of all ages and genres.
The Ultimate Jam has a new home and it’s in West Hollywood at the Whisky A Go-Go on Tuesday nights. The stage was set a blaze by so many rock and roll luminaries it was tough to keep track. MC Extraordinaire, Paul (Paulie Z) Zablidowsky took control of the night and entertained the crowd right along with performers such as Daxx X Nielsen (Cheap Trick), Leif Garrett, Ira Black (Lizzy Borden), Alex Kane (Richie Ramone, Life, Sex & Death, LSD), and Dave Amato (REO Speedwagon) to name a few.
This legendary venue is very intimate and oozes style and history. The Whisky has been the host to some of rock ‘n’ roll’s most important bands, from the Doors andJanis Joplin to Led Zeppelin. It continues to bring amazing music to music lovers and offers a close up and personal view of the bands and musicians.
The Ultimate Jam continues to please everyone with it’s eclectic mix of rock and rollers from various bands all jamming together under one roof. On opening night many familiar covers such as Double Vision, Renegade, Honky Tonk Woman and Crazy on You were expertly played in the first set. In the second set we rocked out to Dance the Night Away, Losing You, Dream Police and Ramble On.
The night came to a glorious end with our incredibly talented MC, Paulie Z singing We Are The Champions with the Ultimate Jam house band (CHUCK WRIGHT, MITCH PERRY, PAULIE Z, MATT STARR, ALEX KANE)
This phenomenal show can be seen every Tuesday night at the Whisky A Go Go for NO COVER charge! The drinks are reasonably priced and the experience is unforgettable. Every Angelino owes it to themselves to stop by the Whisky and lose themselves in an unbelievable night of rock and roll.
The Maui Sugar Mill in Tarzana California, in association with Cadillac Zack, had the honor of presenting the amazing blues artist, Lionel Young this Monday night.
The crowd was especially enthusiastic when Young brought out his electric violin and began to woo the audience with his skill, technique, and personality.
Lionel Young is a classically trained musician with a high energy style and is known for his distinctive brand of blues on the electric violin. Born in Rochester, New York, Lionel Young began taking violin lessons at the age of six and was a member of the Pittsburgh Opera-Ballet Orchestra and the National Repertory Orchestra which later commissioned him to play bluegrass and blues for their summer festival and on a tour of Japan.
Lionel has worked with show biz icons such as: Count Basie, Stevie Wonder, Jimmy Paige/Robert Plant, Doc Severenson, Linda Ronstadt, Living Color, Billy Taylor, Woodie Herman, Stanley Turrentine, Homesick James, Homer Brown, Hamlet Bluiett, Chief Bae, and Johnny Long.
Fabulous blues bands and artists can be enjoyed every Monday night beginning at 8:00pm at the Maui Sugar Mill Saloon,18389 Ventura Blvd, Tarzana, CA 91356. For more information on these incredible blues and jazz concerts email Cadillac Zack at CadillacZack@socalblues.org.
The Hollywood Press Corps’ traveled to Tokyo, Japan and got a chance to meet up with jazz musician Joris Posthumus. He is Internationally known for his NU-bop composing and alto saxophone playing. Joris was busy recording a new album but had time to do an interview. The album, Joris Posthumus Group, Tokyo’s Badboys will be released by Challenge Records International, autumn 2016
When did you start playing your instrument, and what or who were your early influences?
At the age of six I started playing the drums. After a couple of years I decided to change to the clarinet. My first teacher also played the tenor sax and I changed to alto, an old Bundy Selmer.
My early heroes were mostly tenor players like Ben Webster, Colman Hawkins and Sonny Rollins.
I got tapes from my teacher with a lot of different players on it, some I liked, and some I really did not understand yet. It’s funny how your ears develop in time and you appreciate more and more music and styles.
What do you personally consider to be the defining moment in your work or career?
For me 2010 was a great year. I was selected for a Young VIPS tour, a prestigious price that gave me the opportunity to play many of the big venues in Holland. Also, I released my first album, The Abyss, had an aperients in a TV show and was invited to play at the North Sea Jazz festival.
What are currently your main artistic challenges?
I recorded an album in Tokyo, September 2015, release will be 2016 so I put a lot of effort in this at the moment and I’m planning a tour both in Japan in 2016 and a tour in Holland for this group in 2017.
Touring Holland and Belgium with a project called ‘De Zeeland Suite’.
I also joined a new group, Jacob Bedaux Quartet., album recording 2016
What do improvisation and composition mean to you and what, to you, are their respective merits?
I feel that melody and improvisation are connected. It’s a symbiosis. I always have the melody in mind when I am improvising and try to play as melodic as possible. I am also thinking about sound and what the song needs.
How important are practising and instrumental technique for achieving your musical goals?
Of course practicing is a vital part of your development as a musician, and I try to do this as often as I can. In the summer I usually go to a greenhouse nearby my garden and study there. Also I study piano. I feel that as a horn player this is a real asset and also provides a more visual way to write songs.
What do you try to capture when recording?
I think to get that live sound, and intention, is the biggest challenge when recording in the studio. First takes are always special, there is a freshness that is hard to capture for a second time. For me a ‘good’ take is when the whole band and song stands out.
Who is your favourite Japanese jazz musician? Could you describe the Japanese jazz scene?
At the moment this would be my pianist, Shunichi Yanagi. He is a big talent and I am happy he is in my group.
The Japanese jazz scene might not have the biggest stages and festivals in the world but it compensates for it by having a lot of small jazz venues. During my tour in 2014 I played many clubs and was amazed by the diversity of venues out there. Of course there are some bigger stages and festivals but I really dig the smaller clubs. I feel that jazz in general is really alive in Japan. Anywhere you go you can hear jazz around you, in restaurants, bars, on the street, anywhere.
The level of musicianship is high and there are many great players out there.
Could you say a few words in Japanese?
My Japanese is really bad, so I will spare you this. I am starting Japanese lessons soon because I would really like to do enouncements in Japanese when I am there.
What are your future plans in Japan?
My future plans for Japan are to go there and promote the album with my Japanese band.
Together with Gaku Hasagawa(drums) Shunichi Yanagi(piano) Satoshi Tokuda(bass) Yuichiro Tokudo(alto sax) and Yuki Nakae (tenor sax) I want to show Japan and the world what a great group this is.
What are your goals for the future?
To write, play and record more. To visit more countries and connect with more musicians globally.
What is something that would surprise our readers to know about you?
I am a big gardening freak, love growing my own food for me, my wife and kids. We have a big garden where I grow lots of different vegetables. I find it very relaxing and it gives me time to think about music. There is no noise there.
Who is your favourite Dutch musician?
Jeroen van Vliet. He is a great piano player and composer. I did a project with him called De Zeeland Suite Revisited. A special project about a part of Holland at our coastline. Last year he won a big price in Holland, The Boy Edgar Price.
Is there anything you’d like to add?
I would like to end this with a quote from Eric Dolphy:
When you hear music, after it’s over, it’s gone in the air. You can never capture it again
Check out Joris’ website at;
The Hollywood Press Corps’ new Music Department recently got a chance to interview the insanely talented Washington DC / Virginia Beach-based surf-rock garage band called Blankus Larry. They are currently set to release a new single, “Your Boy Is Bad Inside.” This will be a track from the band’s second album , “Problemo”, set for a February 5th drop.
Hollywood Press Corps: Ok, without coming out and directly asking you how you got your band name, let me start by asking…who is Larry, and how many Larry’s are involved with this project?
DURDY: We are all Larries. And the number of Larry’s is growing! I suspect you’re now a Larry too.
BLOODY: Larry is a state of existing in our post-normal world. Larry is the tie that binds.
HPC: Do you recall the moment when Bloody Larry met Durdy Larry? Was it anything like when Paul Mccartney met John Lennon?
DURDY: I remember moving onto the same street as Bloody. I would go out on either the front or back porch to smoke cigarettes and would see him, three doors down — not the band — doing the same. We would always look over and nod at each other. After a couple months of this one day he asked if I played guitar while we passed on the sidewalk. I said yes, and he invited me over for a jam and beers ‘n stuff that night. The next time when we jammed we were pissed that we didn’t record it! Then the third time we played we recorded it on to a two track cassette player… and that was the Satellite Shrine EP, our first release in August of 2008.
BLOODY: Yeah, I was having some friends over for an acoustic jam in my living room, and I invited Durdy over to join us. He did things to a mandolin I’d never seen. I knew we needed to keep jamming together, and we just started spitting out these crazy DIY EPs. Is that like when Mick met Keith?
HPC: One of the burning questions I have is; who makes your cool music videos and how do you get away with using all of that copyrighted material?
DURDY: Our good friends Seana Carroll and Mathieu Ferguson have helped us with videos. With regards to copyrights, we go through painstaking efforts to recreate popular movie scenes. We go all the way in with it, with the best background and special effects artists that you can hire on a shoestring budget. We find the best body doubles. We spend one billionth of what Trump does for his campaign I might add.
HPC: I notice that you’re in the Washington DC area. Have you ever played at the White House? If you were invited to play in the East Room, who would you like to play with?
DURDY: It’s funny you ask, we declined an invitation to play at the Easter Egg Roll during the Bush years. We heard he was really bummed we didn’t make it, but I do like his paintings. With regards to the East Room… there is a Blue Room, and a Red Room, and a Green Room. We would like to play in the Green Room because it reminds us of Wizard of Oz and our complicated Oz set. As far as who we’d play with there, I guess a game of fetch with the presidential dogs, Bo and Sunny, would be appropriate.
HPC: Your track, “Scupper” might be described as a dark, garage, post punk anthem to …scuppers. I only know a scupper to be a hole that drains water in a boat. Your song seems to be about a girl. Do you care to elaborate?
DURDY: You are right! Scupper is about the water drain on a boat! And it’s about a girl! I’m not quite sure. Sometimes when I write a song I don’t yet know what it’s about. I think scupper is about four or five different things. I think it is about releasing things that you don’t need. It is about love, and it is about fire. Given the nature of fire, it is about the love of playing music and the love of the sunrise and the sunset as well.
BLOODY: Scupper is a beast of a song to perform live. Some of these songs we do are tough to reproduce considering the amount of rehearsal time needed and we’re all in different towns. I do look forward to playing that one again some day.
HPC: What makes you feel good?
DURDY: Rocking out makes us feel good! Playing and writing from our hearts and meeting great people who love music like you, that makes us feel good! Our loving supportive families and friends and Agents of Larry are amazing, and the tribe is always growing, that also makes us feel good and its keeps us going.
BLOODY: If the music stops feeling good, we’ll stop. Hard to imagine though.
HPC: Is there something that would surprise our readers to know about you?
DURDY: It might surprise folks to learn that Bloody is actually a very brilliant founder of a tech startup and has an MBA. Though I’m Blankus Larry’s frontman and songwriter, I am also the proud father of an unbelievably gifted teenage boy and a beautiful and creative young elementary school girl. While chipping away at my music dreams, I’m a stay at home dad while my lovely and brilliant wife manages a local retail vape shop and cranks out the daily grind until the world realizes daddy’s a rockstar… one Larry at a time.
BLOODY: Yeah, we’re both coming from very different places, different lives, different experiences. But we’re also brothers… aligned in our mission to rock out.
One thing that surprises even me is that we often finish production of a song without having been in the same room once. We live in different towns, so we have to do things differently than most bands. We just throw tracks back and forth until we have a song we’re happy with. Then we’ll get the full band together to rehearse it for live shows.
HPC: The new album, “Problemo”, were there any problems when recording it?
DURDY: Oh man, there sure were. Battles with the gas company, lotta drinking, lotta lost weed, tape machines breaking down so we tracked more digitally this time, girl stuff, money stuff, gluten problems, a squirrel invasion. Our infrastructures are improving though and notably there were less problemos then there were in Hell or High Larry times and tracking.
BLOODY: Oh yeah, the goddamn gas company. What horrible people! This band often feels like a rolling calamity. For Hell or High Larry we had ceilings caving in and home floods while tracking. Record a track, empty the buckets, repeat. We tracked one weekend on a single cake donut and some espresso. It was hell. When we name an album, we mean it. But Problemo was a better experience, gas company notwithstanding.
HPC: Could you describe your process for writing new songs?
DURDY: Usually it’s music first and then lyrics. Most the time I’ll get chord changes or a gibberish hook stuck in my head and start hammering those out. Then I’ll send a sketch to Bloody and he will make a rhythm guide bed. He sends back a beat, and I start laying out the guitars, basses, and then figuring out my vocal phrases and lyrics. I am usually more interested in plays on words or shapes of words than I am in a literal meaning of them or a story itself. Usually Bloody has a good helpful idea or two on an arrangement edit after I get an initial song crapped out and so we make a very good team creatively together keeping each other pushing forward without egos in the way. Marion Larry also helped me with a verse in “No Time No Money” and he is unbelievably gifted and a great addition to the live band! Sometimes, since I tend to mumble, the fellas will misunderstand a bit of my lyrics, but I will think that what they thought I said is cooler and will change the lyrics to that. And for this album San Pedro Larry has been recording us both… so he drives a lot.
SAN PEDRO LARRY: Yeah man (chuckles)
DURDY: Also many of our songs come from just straight jams or self-edited jams.
HPC: How do you prepare for a concert?
DURDY: Usually we do a few pushups together and then start drinking.
BLOODY: Yeah, we’ve gotten better about squeezing in some rehearsal time before shows, which is new for us. And the live band is really tight now, so things are going much smoother. I’m still getting used to all the pushups.
HPC: Have you ever been to Japan?
DURDY: Once again, it’s funny you ask. I kind of feel like you’re psychic or something. We have not been to Japan yet but I can’t eat American food and eat so much sushi that I am probably like 1/1000th parts Japanese fish at least.. we hope to bring our rock music there one day though!
BLOODY: Never been but a friend lives in Tokyo and says it’s the best city in the world. I look forward to going someday soon, hopefully to rock out.
HPC: How about Judy Garland?
DURDY: You must be referring to our Nassau music video. Once again, we go to great effort to find only the best body doubles and best artists for recreating famous movie scenes. We are glad you can recognize who we were going for!
BLOODY: Yeah, the Judy Garland body double was fun to work with… a real trooper. Her real name is Grace.
HPC: What is your definition of a Heatseeker?
BLOODY: When it comes to the music charts, I like to think all of our songs are heatseekers.
DURDY: When I think of a heat seeker, I think primal like a Cobra or a great white shark… Or like eating pussy and saying grace!
HPC: Is there anything you would like to add?
DURDY: Dustin, when we first met you asked us how many Larrys there were.. I feel like now we have one more Larry in the family. How have you learned so much Lore o’ Larry? We are very impressed with the homework you did before speaking with us. It’s like you already know us! Thanks so much for a great interview, we’ve had a lot of fun with you! Let us know what your Larry name is at your convenience.
BLOODY: When it comes to your Larry name, pick wisely. If the Board of Supervisors of Larry disapproves, they’re likely to give you a name you’re gonna hate. You have to live with it for the rest of your life!
Face Forward, a charity that provides pro-bono reconstructive surgery for victims of domestic violence, victims of violent crimes and whom recently added victims of human trafficking, held their 6th annual fundraising gala celebrating survivors which was attended by a star studded roster of celebrities on September 19th. This amazing charity works with organizations from all over the country and newly expanding around the world, to find patients that have overcome the horrific consequences of violent crimes such as domestic violence and human trafficking and would benefit from correcting the physical scars that are still left behind. Dr. David Alessi and his wife and organization founder Deborah Alessi, work tirelessly to identify and transform these victims so that they can leave behind the physical stars to face forward to a new life.
Celebrities that attended included Nelly, “Sugar” Shane Mosley, La Toya Jackson, Luis Guzman, Bonnie Somerville, Marcia Gay Harden, Jo Frost, Ben Hollingsworth, John Savage, Kevin Frazier, Lu Parker, Lana Parrilla, Shaun Toub, Shantel Jackson and performances by Macy Gray and Chaka Kahn lit up the evening and had the crowd up on their feet.
The most poignant part of the evening was a story featured by a young woman referenced as NJ who is a survivor of 15 years of sex trafficking, human slavery, drug addiction and violent physical abuse. There wasn’t a dry eye in the house listening to her firsthand account and even more impressive was her attitude of perseverance and optimism for the future magnified by her excitement to work with Face Forward.
Recognition was given to La Toya Jackson for so openly speaking about her personal experience with control and abuse and her inspiring woman of all ages and lifestyles to get out and start over. LAPD human trafficking division who saved NJ, received recognition for their work in handling these atrocious crimes on humanity. Dr. Karen Kay Imagawa from CHLA, also received an award for the work she does with children who are victims as young as two.
The celebrities themselves were generous not only with their attendance and support but they all made generous donations and offered themselves for fundraising. I am touched that the talent that supported us by attending were so inspired to help that they continued their generosity throughout the night – I am truly grateful,” said founder Deborah Alessi “tonight was really about the survivors, the sponsors and the organizations that help us to do the incredible work we do to change the lives of these survivors” said Deborah Alessi.
Over $500,000 was raised which will make 2016 a great year for a lot of patients. Sponsors for this event were Etihad Airways, Turkish Airlines, Ebay Auction Cause, Casey Cunningham, Cedars-Sinai Medical Center and Luna Gardens Events.
To join the fight against domestic violence, please visit:
Lyssen (pronounced listen) is a Chicago
rapper, but a poet at heart, who uses her music to influence change through self-awareness. On Friday, August 7, she will be performing her music at Las Palmas in Hollywood as a part of the Joell Ortiz tour. Ortiz is known for his role in the hip-hop group Slaughterhouse, organized by Eminem. The doors open at 7:00pm PT with performances beginning at 9:00pm PT. To buy tickets, visit her website or you can click the below flyer to order.
Inspired by the violent decay of her hometown Chicago, Lyssen breaks the common artist mold with various combinations of poetry and rap while motivating the lost souls to notice the world around them and consciously depict how they fit into it. “My goal is to allow people to not only enjoy my art, but also find the art within themselves and display it,” explains Lyssen. The delivery and wordplay of her lyrics keeps listeners engaged and stimulated, while the music entertains as a theatrical rendition of soul.
(New York, NY) Boston-based rock quartet, The Shills, announce the release of the video for their new single, “Oh, This Devilish Place,” which comes from their brand new LP, Keep Your Hands Busy: Volume 2, that dropped in May 2015. The four-piece band fuses modern rock and pop to create a sound that The Deli NYC describes as “simultaneously catchy, challenging and experimental in sound and concept.” The video highlights the second release from their album, which Baeble Music says melds psychedelic, swirling melodies with propulsive riffs and deeply layered guitar work. It’s rare for guitars on a record to sound simultaneously this spacey while also carrying so much forward rock momentum. The vocals snake through your mind — Bryan Murphy switching up between a Travis Morrison yelp and Thom Yorke falsetto.”
The Shills originated in Boston in 2004, and consist of Bryan Murphy (guitar/vocals), Ryan Jackson (guitar), Dave Sicilian (bass) and James Zaner (drums). After releasing an EP (Push), an LP (The Shills) and a concept record (Ganymede), the band began creating a two-part record, Keep Your Hands Busy: Volume 1 and 2. The first part was released in 2012 and was produced by Scott Riebling (Fall Out Boy, Cobra Starship, We The Kings). In early 2015, they released a cover of Ginuwine’s “Pony,” which caught the attention of Huffington Post, who raved, “The Shills have given the R&B singer’s hit a new spin, keeping plenty of the sexy that made the song so great.” With a tone that ranges from mellow to heavy and soft to aggressive, the band is currently preparing for the release of Keep Your Hands Busy: Volume 2.
Boston Globe praises the band’s 2012 single, “Move A Mountain,” saying, “[it] chugs like the riff from Heart’s ‘Barracuda’ under another soaring vocal that cements Murphy’s chillingly spot-on voice as one of the most dependable rock weapons in Boston right now.” Keep an eye out for upcoming releases from Keep Your Hands Busy: Volume 2, as well as the band’s Boston album release show on May 21st at Brighton Music Hall.
The Hollywood Press Corps recently got a chance to interview Brooklyn-based Future Wave band, The Fantastic Plastics. They just dropped a new single and they’re calling it , “We are Obsolete.” The track is just one cut from their forthcoming full-length album, Devolver.
1. What is the concept of The Fantastic Plastics?
We are from the present time that the people of the 1950s / 1960s envisioned when they dreamed of the 21st century. People 50 years ago had such optimism for the future. They thought the future would be a panacea as opposed to the dystopia it has become. We are from that optimistic future, that alternate dimension, transported here and now that we are here we will make it all better.
2. What are your influences?
We are equally influenced by music, books and movies. Most of our influences do not exist in this dimension. However, since arriving, we have found inspiration in Gary Numan, DEVO, Kraftwerk, B-52s, and The Ventures to name a few bands. From the literary world, we are mostly inspired by William Gibson’s Nuromancer trilogy and George Orwell’s Nineteen Eighty Four. When it comes to film we take fashion inspiration from Barbarella, 2001 A Space Odyssey, THX-1138 and many more from the genre.
3. Have you ever been to Japan/do you know any words in Japanese?
We have not been to Japan, but it is our goal to get there soon. They seem to be the closest society to that optimistic future we spoke of; especially in fashion and design. Of course we know the phrase: domo arigato Mr Roboto.
4. If you could be any instrument what would it be?
The “Holophoner” from Futurama.
5. What is something that would surprise people to know about you?
Trans-dimensional travel has caused us to constantly crave something you people call a “Cheez-It.”
6. What are your thoughts on New York City fashion?
We love that NYC fashion is such a mix and that you can express your creativity and personality through fashion without judgment. However, on the other hand, this is also a very corporate city, with a larger number of people who feel the need to conform in that world. This is why people from other cities equate New Yorkers with always wearing black. We are just hoping to influence more people to wear silver futuristic space suits on a daily basis.
7. What does “gentrification” mean to you?
Supposedly it means progress but we find that hard to believe. They destroy and tear down old buildings that have stood in some cases over 100 years and replace them with cheaply made glass boxes. We’d like to see self-sustaining architecture. Buildings covered in solar panels with garden rooftops meant to last hundreds of years and off the grid completely. That would be progress.
8. Can you tell us about an interesting experience on the New York City subway?
We could tell you many, but most are x rated and or involve things that would turn your stomach. We once did a photo shoot on the subway for our “Outsiders” EP that involved us wearing some huge furry neon insect masks and silver space outfits. We were amazed that nearly no one batted an eye or gave us a second glance. That right there says a lot about New Yorkers and NYC Fashion.
9. What was the last book that you read?
UBIK by Philip K. Dick. It is a trip to read. We read somewhere that Michel Gondry was trying to adapt it into a movie. Fingers crossed.
10. Do you have any words of wisdom for your fans?
Keep Moving Forward
This was such a fortunate experience to interview the Fantastic Plastics! Stayed tuned to the Hollwood Press Corps for future announcements regarding the upcoming album, Devolver.
5TH ANNIVERSARY LINEUP AND LIVE ENTERTAINMENT FOR 2015
Tickets are on sale now for the City of Angels’ annual culinary jubilee, featuring a live performance by Questlove and The Roots, and welcoming a distinguished list of Michelin-starred honorees, James Beard Award winners, and Food & Wine Best New Chefs including Tyler Florence, Curtis Stone, Thomas Keller, and Michelle Bernstein, among others.
WHAT: Los Angeles Food & Wine, produced by Coastal Luxury Management and presented with founding partners FOOD & WINEand Lexus, announces its 2015 festival lineup and live entertainment as it celebrates its 5th anniversary August 27-August 30. On sale now, tickets for individual events range from $50-$350, with package and VIP options starting at $650.
Set to feature three-nights and four-days of unrivaled tastings, lunches, seminars, book signings, cooking demonstrations, and special events, showcasing the finest in food and drink culture, marquee events and talent this year will include:
§ “Ultimate Bites of LA Presented by Lexus”on Thursday, August 27,hosted by Curtis Story, kicks off the festivities with special guest curator and DJ,Ahmir “?uestlove” Thompson,spinning live on stage and handpicking several of his favorite culinary mavericks to show off their talents
§ “Lexus Grand Avenue Night Market”on Friday evening, August 28, hosted byTyler Florence, featuring small bites from culinary masters Charles Phan (The Slanted Door), Jet Tila (Pakpao Thai), and Hannah An (The District), among others
§ “Lexus Live on Grand featuring The Roots”; on Saturday, August 29, featuring tastings from over 30 chefs and 100 wineries
o That same night,The Roots will join bandmate Ahmir “?uestlove” Thompson on the “Lexus Live on Grand”; main stage as the festival’s headlining musical entertainment
§ The festival’s acclaimedPower Lunch Series returns on Friday, August 28, with exclusive chef collaborations taking place at Los Angeles’ premier restaurants across the city including:
o Neal Fraser (Redbird) and Markus Glocker (Bâtard/NYC) at Redbird
o Ray Garcia (Broken Spanish) and Jenn Louis (Lincoln Restaurant/Portland, OR) at Broken Spanish
o Celebrity Chef Elizabeth Falkner, Ben Spungin (Coastal Luxury Management), and Ricky Webster (The Ace Hotel) at The Ace Hotel
o Michael Fiorelli and Rebecca Merhej (Love & Salt) joined by Zack Pollack (Alimento) at Love & Salt
o Nancy Silverton (Mozza) & Mourah Lahlou (Aziza) at Osteria Mozza
Please continue to visitLAFW.com for updates and details on full programming of events, chefs, wineries, sommeliers, mixologists, and culinary talent participating at the 5th Annual Los Angeles Food & Wine festival.
WHEN: Thursday, August 27 through Sunday, August 30, 2015
WHERE: Headquartered in the heart of Downtown Los Angeles, with main events taking place directly in front of the iconic Walt Disney Concert Hall (with closures along Grand Avenue, between 1st and 3rd street), the 5thannual Los Angeles Food & Wine festival will also feature tastings, dinners, lunches, seminars, cooking demonstrations, and special events located across parts of greater Los Angeles including Downtown, Beverly Hills, Santa Monica, Hollywood, and more.
TICKETS: Tickets are available to purchase by visitingLAFW.comor by calling 855-433-LAFW (5239)
PHOTOS: Images of the Los Angeles Food & Wine festival (2014), for pre-event coverage, are available to view/download by clickinghere.