WHEN BLACK FRIDAY COMES

Thanksgiving is over, the holidays are coming and Produce Like a Pro is jumping into the holiday spirit by offering big discounts on its packages for recording, producing and mixing.

These discounts are available from Black Friday to Cyber Monday, so act now!

SAVE 50% ON PRODUCE LIKE A PRO ACADEMY
Regularly $204 a year, now $99!


For $99 a year, the Produce Like a Pro annual subscription offers access to full courses, mix reviews, multitracks, live Q&A’s, downloadable content, giveaways, tutorials and much more!

Over 80+ hours of recording and mixing tutorials – updated weekly.
New multitrack sessions every month.
Mix feedback from Warren Huart.
Live Q&A’s: Get access to live Q&As featuring some of the most talented and interesting people in the music industry!
Be a part of an audio community – The Produce Like A Pro Academy is the most active and helpful mixing community online.
Exclusive competitions, member discounts on plugins, microphones and more.

SAVE A BUNDLE ON COURSE BUNDLES

Learn mixing from world class engineers who have worked with dozens of well known artists from A to Z – Ace Frehley to White Zombie – and a wide range of artists in between: Aerosmith, Earth, Wind, & Fire, Galatikon, Gwen Stefani, Heart, Incubus, Megadeth, Metallica, Missy Elliott, Motörhead, MxPx, Nas, Nelly, Nicki, Pantera, Pennywise, Red Hot Chili Peppers, Static-X, Sum 41, Swizz Beatz, The Roots, Tyga, Velvet Revolver, Weezer and many more!

These bundles include courses in mixing, mastering, recording and producing from the likes of Cameron Webb, Ulrich Wild, Phil Allen, Tony Franklin, Warren Sokol, Rob Mayzes and a wide variety of expert, excellent sound engineers, mixers and producers.

SAVE $1500 ON THE EVERYTHING BUNDLE
Regularly  $1991. Black Friday price $397.

SAVE $1000 ON THE GRAMMY BUNDLE
Regularly $1376, now $297

SAVE $200 ON THE ULTIMATE ROCK MIXING BUNDLE
Regularly $342, now $97

SAVE $200 ON THE RHYTHM BUNDLE
Regularly $342, now $97

 

The clock is ticking on these big savings, as they are available from Black Friday to Cyber Monday.

Dustin Brown

Dustin Brown

I am the Senior Editor at HollywoodPressCorps.com.

More Posts - Website

Singer Songwriter Morris Mills Releases New Album Entitled Protege

HOLLYWOOD PRESS CORPS — NOVEMBER 21, 2017 — Protege is an original, pop-funk-rock album by singer songwriter Morris Mills. Richly “co-inspired by Prince”, it’s reminiscent rhythms and loveable lyrics, reverently saturate these seventeen, irresistibly danceable tracks. Bracketed by Prelude Ascension, The Call and The Interlude, weaving a thematic quality throughout these soulful, rock compositions. A wellspring of creativity overflows here, deliriously seducing us, one and all, conceived, composed and recorded in Morris’s studio, in Los Angeles, January 2017.


Consumed by his deep admiration for Prince, Morris embodies an unshakeable likeness. Protege “Waste of Time” is a nod to Prince’s “When You Were Mine”, contrasted with “Ghetto Black”, all about a reality TV stars’ grittier exploits. In all there are seventeen, equally funky-sexy tracks igniting this thematic album, playable start to finish.

Morris Mills on the red carpet

Protege delivers androgynous vocals, funk-rock guitar licks, memorable keyboards, and cascading brass riffs, as in the heart-tugging ballad “Sunshine and Rain” filling the air with the synergy to move your body like you mean it!

Morris Mills

Take a listen and see for yourself just how much Protege has earned its venerated place among the Minneapolis Sound inspired music.
Tour dates are planned for spring and summer of 2018, both California and national tours.

Check out his website here

Peter Manning Robinson at Vortex Dome Los Angeles

LOS ANGELES (Hollywood Press Corps) — Saturday, November 11th — Emmy award winning song writer, musician and inventor Peter Manning Robinson played a sold out performance at the mind bending performance space known as the Vortex Dome Los Angeles. This event was presented by Vortex Immersion Media and located at the LA Center Studios campus in downtown Los Angeles. This was a chance to experience Peter Manning Robinson’s Refractor Piano. The Refractor Piano is a life long passion project by Mr. Robinson. Without using any outside beats or samples, Peter creates original compositions that layer the piano’s sounds into an avant guard auditory experience that is unique and innovative. Peter’s performance on Saturday was rich in improvisation. Adding to the sounds of the grand piano were Hana Kim’s layered video images.

Peter Manning Robinson — photo by Alex Kluft Photography

These images were projected into the dome which creates a 360 degree experience. Also on hand at the sold out event was Klaus Hoch. Klaus works closely with Peter on developing the Refractor Piano as well as being the creative director for the project.
Peter began each original composition with a short story of what the song was about. He spoke about how he came to write each piece and what the piece means to him. We were lucky to be in attendance of the rare American Composer. In the tradition of avant guard composers like Aaron Copland and Frank Zappa, Peter uses his Steinway piano to record and loop traditional playing, but also uses mallets to play directly on the strings themselves. Once a rhythm is made, Peter can play and layer classical and jazz style piano into this composition.

Peter Manning Robinson in downtown Los Angeles

The first original composition of the night was very intense and urban called the “Iron Road.” Hana Kim’s visuals took us on a journey to a far away city where we seemed to endlessly drive through a city scape. Peter assembled a piece that showcased his playing ability and passion. The first piece was full of energy. The visuals and sounds hold the audience in a different place. The Vortex Dome Los Angeles allows you to look all around. Peter transcends a typical piano performance.

Peter Manning Robinson playing the Refractor Piano

The second piece of the night featured owls. Peter spoke about the owl and its mythological significance to tribes. Peter spoke of his love for owls. He said he can refract the sounds of owls that live on his estate and play that refracted sound back to them! “Owls of the Night” was the piece that Peter created right in front of us. A bit more mysterious and subdued than “Iron Road,” I thought this piece really showed off the capabilities of the Refractor Piano. Hana Kim’s visuals were stunning. There was a combination of owls flying and owls looking into your soul. The owls seemed to move perfectly with the soundscapes that Peter created. This was a beautiful composition and the immersive Vortex Dome really added to Peter’s performance. Peter took the time between tunes to explain how he became a musical voyager. Listening to these stories set up the entire piece.

Peter Manning Robinson — photo by Alex Kluft Photography

“Dancing in the Purple Sky” is a song that Peter created deep in the Kauai rainforests of Hawaii. Peter said that the tree frogs could create a sound that was 130 decibels. The song that Peter created is more of a straight piano tune. Its chords modulate up and down in a pleasant jazz pattern. This piece was one of my favorite tunes. If “Dancing in the Purple Sky” was my favorite straight piano piece, “Precipice” was my favorite Refractor Piano piece. “Precipice” is a piece that Peter wrote about the obstacle that people go through in their lives and how we overcome them.

Peter starts this piece with echoing high piano notes seeming to cascade down into a chasm. These sounds are paired together with notes that sound like cellos countering the downward spiral. This is an amazing piece of music created by a modern American composer. American composers are in short supply these days. It’s great to have a local Los Angeles composer who has crafted music for movies and TV  among us and making music about the city and the world we all live in.  During Saturday’s performance, Hana Kim’s 360 degree visuals were of escalators and other urban images layered over our heads like a digital circus performance.
The gritty tune called “O Guerreiro Espiritual” is an upbeat piano tune with a funky bass line. Peter glides through chromatic scales on his Steinway and seems to get the piano to release its voice from way up high to way down low. The Refractor Piano is an amazing invention that can be used so many different ways.

Peter Manning Robinson — photo by Alex Kluft Photography

“Black Stone Paths” starts out with Peter creating a soundscape from tapping on the strings of the piano with mallets. Hana Kim’s visuals were also swirling in a 360 during at the start of this number. Peter mentioned that no two performances are ever the exact same with the Refractor Piano. Depending on the vibe at the venue, what time of year, how Peter is feeling, how the audience is feeling, etc, he creates in real time. Like a DJ stoking a nightclub crowd, Peter is composing, mixing and vibing from the energy. He, like the audience, sees the 360 degree visuals and the performance reflects these feelings.
“Fireflies in Orbit” is an amazing tune. The piano’s melody sounded Stravinsky like with a lower synthesizer bass-sounding line providing the rhythm. Hana Kim’s visual are not only things that look like firefly’s, but also what it might look like if you actually ARE a firefly. Once again the full range of the Refractor Piano can be heard on this piece. The Steinway got a full work out as highs and lows were refracted like a prism refracting glass. A full rainbow of sounds and music.

Peter Manning Robinson — photo by Alex Kluft Photography

Watching a Peter Manning Robinson concert up close is a unique and inspiring experience. It was such a pleasure to listen and watch someone make music that is truly original and assemble that music right in front of you. If you get a chance to attend a Peter Manning Robinson concert, I highly recommend it.

Check out his website here

Dustin Brown

Dustin Brown

I am the Senior Editor at HollywoodPressCorps.com.

More Posts - Website